I wasn’t able to participate last week because of work but this week I’m back. Next week may be a gamble depending on whether I can find a wifi signal in San Diego, CA so I wanted to make sure I got in as much as possible this time around. Kinda sad I might miss the last go around because this has been a great read along. Anyway, on with it!

Thanks to Ashley at SF Signal for last week’s questions and nrlymrtl from Dark Cargo for this week’s questions.

Week 3

1. Locke and Jean’s ability to find themselves at the center of a serious mess seems unparalleled. At this point, do you think that Stragos will get the return he expects on his investment in them?

He might but Locke and Jean will be extracting a price of their own as well, that’s my guess at least. Then again, they might end up at the bottom of the sea. These two seem to find attract every single bit of trouble any place has to offer. But if they didn’t, it wouldn’t be so much fun to read would it?
2. Merrain’s activities after our boys leave Windward Rock are interesting. What do you think her plans are?

I’m beginning to wonder who she’s really working for.
3. Does anyone know why having cats aboard the ship is so important?

Eat mice, scare rats?
4. The word “mutiny” creates a lot of mental pictures. Were you surprised? Why or why not?

No. I didn’t see this little boat ride going well for Locke, Jean maybe, but not Locke. He’s a good actor but he’s an actor. Someone was going to notice the man didn’t know what end of the boat he was on at some point. I’m surprised it took as long as it did.
5. Ah, the Poison Orchid. So many surprises there, not the least of which were the captain’s children. Did you find the young children a natural part of the story?

I was really surprised by the kids, mostly because there haven’t been any in the story except in flashbacks to mini Locke and Jean. It definitely humanizes Zamira and why she’s so cautious.

In a way, it is a natural part of the story though. Why wouldn’t someone have kids even a pirate?
6. Jean is developing more and more as a character as we get further in to the book. Ezri makes the comment to him that “Out here, the past is a currency, Jerome. Sometimes it’s the only one we have.” I think several interesting possibilities are coming into play regarding Jean and Ezri. What about you?

Oh yes.
7. As we close down this week’s reading, the Thorn of Camorr is back! I love it, even with all the conflict.  Several things from their Camorri background have come back up. Do you think we will see more Camorri characters?

Again, oh yes.

 

 

Week 4

1. I was much relieved when Jean and Locke made up, which started with Locke’s gesture of a cup full of honesty with Cpt. Drakasha. Do you think that was hard for Locke? Or was he using this bit of honesty like any other weapon in his arsenal to get what he wants in the end?

Double edged question. I think he needed to be honest for Jean because he respects and loves him. And I think there may have been a slight (oh so slight) amount of guilt mixed in with that respect and love that made Locke understand that he needed to lay the cards of the table. But, yes, he always thinks of himself first and what he can get out of it so even by telling the truth he was still using the situation to his advantage.

That makes Locke sound awful but I don’t see him that way, it’s just who he is and what he does, even when he isn’t lying.
2. The Parlor Passage: We still don’t know Locke’s true name, but whatever was in that mist does. What do you think it is?

It’s driving me nuts that I don’t know his name! Not that there’s anything wrong with Locke which I think is a fabulous name but I want the real one.

I’m not too sure I want to think of what’s in that mist but whatever it is, is what creepy is made of. Then again, maybe it’s nothing and the fog is really just a chemical or a drug that causes hallucinations.
3. There was an interesting section of the book that started about where Locke assisted Drakasha in selling the Red Messenger; he put on the persona of Leocanto Kosta and used the alias Tavras Callas and then Drakasha was still thinking of him as Ravelle….. Did using all those various aliases in such a short amount of time have your mind spinning a little? Do you think Lynch did this on purpose to give the reader a sense of Locke’s mind?

I was surprised to see Tavras Callas back. First, because I sort of think of him as a scheme from the first book, and two, it seems risky to bring someone like that back even in a part of the world he isn’t know. I keep thinking that’s going to come back and bite him. It does make you wonder about Locke’s head though and how full it is of disguises and personalities that I questioned if Locke even knows who he was. I don’t think of Locke in anyway negative but the fact that he can switch his personality on and off made me wonder about his mental health.
4. That was a sweet little kiss between Cpt. Zamira and Cpt. Jaffrim at the end of the Captains’ Council. Do you think they have some history, or is it just innocent flirting that’s been going on for some time?

Can you say baby daddy?
5. Jean and Ezri. Cue dove-cooing and little winged hearts with sparkles. Do you think Jean will stay with the Poison Orchid or that Ezri will leave her ship to pal around with Jean and Locke?

She’s the newest member of the Gentleman Bastards! She is. I know it.

And if she doesn’t leave to stay with Jean I’m going to be so upset. Finally, something nice for Jean. Don’t ruin it!
6. What is Utgar up to? What are his motivations?

It took me a second to realize what was going on here and I don’t like it. I have no idea what he’s up to but it’s all bad. That I know.
7. So last week we hashed over that Merrain killed some of Stragos’s guards on Windward Rock. But when Jean and Locke visit him, he doesn’t mention it. What is up with that?

I don’t get what’s up with her although I’m sorta digging her style. She’s like freelance killer, freelance spy, freelance I will tell you all nothing and play you all against each other.

Or, Lady Gentleman Bastard number two.
8. This week’s section left us where the book began – Jean pointing a crossbow at Locke’s throat. Do you think Jean knows who sent these crossbowers? Is he on their side? Is it a clever ploy to get him and Locke out of this predicament? Did you find it excruciatingly hard to stop here?

It’s a way to get them out of the mess because I can’t believe that Jean would turn on Locke, even though he is a huge pain in the ass.

And this was the worst place ever to stop this week’s reading! Worst. Place. Ever!

Now that my answers are posted, I’m going to start reading again.