Ashenden is an old, yet still grand, English country house. Falling into disrepair over the years, it can still impress, even if it’s just by the enormous cash reserves needed to heat the place. When Charlie and his sister inherit the crumbling estate, the stress of how to care for the place takes a toll on their already distant relationship. The two begin consulting engineers and surveyors to determine what needs to be done and whether or not selling or renovating is in their best interests, or the house’s.
While a decision is made about the house’s future, its past begins to unfold giving the reader a glimpse of the people it has sheltered, the sorrows and joys felt in its rooms, and the memories that have seeped into its walls. We are introduced to the people that have walked the halls of the house from the architect who envisioned the grand space, to the staff who kept the fires burning, and the families that owned the property.
What I enjoyed about this book was the way all of the stories were tied together, each flowing smoothly into the next. It wasn’t about the people but how the house was transformed by the years from a money pit that was wanted more for the prestige it bought, but was ultimately unaffordable, to the original builder, the individuals that toured the house, and the sick it protected. The people come and go but the house itself is the one constant that brings everything together.
Ashenden is a mixture of short stories about the people that admired the grand house, found love and heartbreak inside its walls, and those that recovered in the green expanse that was part of the property. Its residents, owners, builders, all make and break the house and while the reader sees the past, it’s the current owners that are struggling with the future. I liked the way Wilhide smoothly moves the story along while it remains in place at the same time. It’s a very effective way to tell the story of the house and make it more than simply a structure of bricks, glass, and wood. It becomes a living part of the story, in fact, the story itself. With each new chapter, I wanted to know how it was holding up and what it had become in its new reincarnation as it does change with each new generation that walks through the doors. From the start, you know it’s not a simple home but something built and imagined to be more than that.
Many of the stories told here are very sad but overall I wouldn’t say that about the book. It made me smile many times, and even though the individual stories being told were not on the whole always happy, it was an honest look at the people who passed through the halls and that I could appreciate — nothing too sad but not all that happy either, a nice equilibrium of stories.
Wilhide is a writer who cares very much about the details and it is those details that make this story. Without the finer points and the clear image she creates of the house, this story wouldn’t work. The particulars create an invisible web that lets the story meander, but always bringing it back home. It’s such a lovely story and a satisfying read for a winter evening.
In addition to this blog, I also do reviews for The Book Reporter website. The above review was done for the Book Reporter which can be found here. The book was provided to me by the publisher.
Ashenden
By Elizabeth Wilhide
Simon & Schuster
ISBN: 9781451684865
There’s that saying that you can’t pick your family. You know the one and have probably marveled at its truthfulness at one family event or another over the years. You know, when that weird cousin brings a stripper to a wedding and no one can stop staring.* Anyway, that’s sort of the point of The History of Us. It’s all about family, and all the great and annoying qualities you wouldn’t trade for the world mostly because those defining moments in life become great blog fodder. Yes, that.
Irene Blum has spent her life studying the Khmer Empire and acquiring knowledge of ancient civilizations and artifacts. She’s an expert in her field and fully expects to be running the Brooke Museum of Oriental Arts in Seattle, which houses a collection she helped to build, in due time. When the curatorship is given to another, it devastates her. Still reeling from the death of her father a few months earlier, she turns to Henry Simms, a close family friend and the man who helped raise her after the death of her mother. He is also the person who instilled in her the intense interest she has in the Khmer Empire. Mr. Simms is dying of cancer, and knowing it will be the last great adventure of his life and the start of one for Irene, he shares an unknown diary with her that talks about lost copper scrolls containing the history of the Khmer. The scrolls are supposedly hidden in an ancient Khmer temple in the Cambodian jungle. With nothing left for her in Seattle, Irene leaves for Shanghai to convince a woman named Simone Merlin to join her on the trip to Cambodia. Both women have much to prove — to each other and themselves — and the trip to discover the lost scrolls becomes a test of wills.
This book has been on my radar for a while but I never quite got around to it for no other reason than I just didn’t. This happens to me sometimes. So, when it arrived in the mail it was fate, I guess.