Ashenden is an old, yet still grand, English country house. Falling into disrepair over the years, it can still impress, even if it’s just by the enormous cash reserves needed to heat the place. When Charlie and his sister inherit the crumbling estate, the stress of how to care for the place takes a toll on their already distant relationship. The two begin consulting engineers and surveyors to determine what needs to be done and whether or not selling or renovating is in their best interests, or the house’s.
While a decision is made about the house’s future, its past begins to unfold giving the reader a glimpse of the people it has sheltered, the sorrows and joys felt in its rooms, and the memories that have seeped into its walls. We are introduced to the people that have walked the halls of the house from the architect who envisioned the grand space, to the staff who kept the fires burning, and the families that owned the property.
What I enjoyed about this book was the way all of the stories were tied together, each flowing smoothly into the next. It wasn’t about the people but how the house was transformed by the years from a money pit that was wanted more for the prestige it bought, but was ultimately unaffordable, to the original builder, the individuals that toured the house, and the sick it protected. The people come and go but the house itself is the one constant that brings everything together.
Ashenden is a mixture of short stories about the people that admired the grand house, found love and heartbreak inside its walls, and those that recovered in the green expanse that was part of the property. Its residents, owners, builders, all make and break the house and while the reader sees the past, it’s the current owners that are struggling with the future. I liked the way Wilhide smoothly moves the story along while it remains in place at the same time. It’s a very effective way to tell the story of the house and make it more than simply a structure of bricks, glass, and wood. It becomes a living part of the story, in fact, the story itself. With each new chapter, I wanted to know how it was holding up and what it had become in its new reincarnation as it does change with each new generation that walks through the doors. From the start, you know it’s not a simple home but something built and imagined to be more than that.
Many of the stories told here are very sad but overall I wouldn’t say that about the book. It made me smile many times, and even though the individual stories being told were not on the whole always happy, it was an honest look at the people who passed through the halls and that I could appreciate — nothing too sad but not all that happy either, a nice equilibrium of stories.
Wilhide is a writer who cares very much about the details and it is those details that make this story. Without the finer points and the clear image she creates of the house, this story wouldn’t work. The particulars create an invisible web that lets the story meander, but always bringing it back home. It’s such a lovely story and a satisfying read for a winter evening.
In addition to this blog, I also do reviews for The Book Reporter website. The above review was done for the Book Reporter which can be found here. The book was provided to me by the publisher.
Ashenden
By Elizabeth Wilhide
Simon & Schuster
ISBN: 9781451684865

There are some books you finish and want more of, immediately. For me, this is one of those books. I loved the setting, the characters, the mystery — everything. I’ve been reading a lot of historical mysteries lately, and oddly, they’ve all been series and I’ve started all of them somewhere in the middle rather than from the beginning. The same is true for this book; it’s Robertson’s third book featuring the characters of Mrs. Harriet Westerman and Gabriel Crowther. Surprisingly, this hasn’t dulled my enjoyment one bit.
Lady Emily Hargreaves, accompanied by her husband Colin, is on her way to Venice to help a childhood friend named Emma Callum. A better description would be a childhood nemesis — Emily and Emma were not exactly the best of friends as children and Emily did her best to distance herself from Emma whenever possible. However, Emma has asked for her help and Emily can’t turn down a plea for help, even when that plea comes from Emma Callum. Years ago, Emma ran off with an Italian Count and caused a bit of a scandal at home, but is now in desperate need of Emily’s detective skills. Her father-in-law has been murdered in the home she shares with her husband, and her husband, who is a suspect in his father’s murder, has disappeared making the case against him look even more telling. She needs Emily to find the murderer and clear her husband.
H.G. Wells is an unhappy man. His latest work, The War of the Worlds, has a sequel that he didn’t write. Having agreed to meet with the American author who he believes has unjustly made money off his idea, Wells grumbles his way through the streets of London to the pub for the meeting. This author, who impresses Wells more than he cares to admit, tells him incredible tales of monsters and aliens and when Wells fails to believe, he offers to show him. In a locked room at the natural history museum, Wells gazes upon what he believes to be a true Martian — just like the creatures he created in his latest book.
Irene Blum has spent her life studying the Khmer Empire and acquiring knowledge of ancient civilizations and artifacts. She’s an expert in her field and fully expects to be running the Brooke Museum of Oriental Arts in Seattle, which houses a collection she helped to build, in due time. When the curatorship is given to another, it devastates her. Still reeling from the death of her father a few months earlier, she turns to Henry Simms, a close family friend and the man who helped raise her after the death of her mother. He is also the person who instilled in her the intense interest she has in the Khmer Empire. Mr. Simms is dying of cancer, and knowing it will be the last great adventure of his life and the start of one for Irene, he shares an unknown diary with her that talks about lost copper scrolls containing the history of the Khmer. The scrolls are supposedly hidden in an ancient Khmer temple in the Cambodian jungle. With nothing left for her in Seattle, Irene leaves for Shanghai to convince a woman named Simone Merlin to join her on the trip to Cambodia. Both women have much to prove — to each other and themselves — and the trip to discover the lost scrolls becomes a test of wills.
In Shadow of Night, we pick up with Diana Bishop, now Diana Clairmont, and her new husband Matthew in 1590 Elizabethan England. Having time walked back to 1590 to find a witch capable of understanding Diana’s magic and who can teach her how to control her powers, the two soon get caught up in 16th Century English politics and court intrigue. It’s a particularly fascinating place for Diana, being the scholar that she is, but for Matthew the new setting brings on a fresh set of problems and emotions. Matthew, a vampire who once hunted down witches, now has to reconcile his old role as witch hunter which is more than difficult now that over 400 years later, he finds himself married to a witch. He also must come to some understanding with his father — a man he knows as dead in his present.